[…] Ruth Anderwald + Leonhard Grond bring disorder to the world by reversing the play direction of their film material, and letting the red river of Sarajevo appear as wild, effervescent waters that threaten to pull the viewer in. As in 3D cinema, the film creates dizziness. The dynamic in this part of the double projection is counterbalanced by a still image that refers to it. A man, who stands at the edge of an abyss, can also be interpreted as a political memorial. […]

1999, Super8 on DV, double projection, 1' 20'', silent

Text: Angela Stief
Translation: Tamar Tembeck